STYLING
WITH THIS, I MOSTLY REALIZED THAT WE ARE NOT REDOING CINDY’S WORK OR RECREATING HER IMAGES OR MAKE UP. WE ARE TAKING HER PROCESS AND LEARNING FROM IT.
STYLING BECOMES A QUESTION OF AUTHORSHIP
CHLOË IS IN COUTURE FOR THE PERFUME AD. THE STYLING FOR THE REST OF THE FILM NEEDS TO FEEL YOUNG, LIKE A DEPICTION OF WHERE WE ACTUALLY ARE IN THE WORLD.
IT IS NOT COSTUME. IT IS STYLING.
WITH THIS, I MOSTLY REALIZED THAT WE ARE NOT REDOING CINDY’S WORK OR RECREATING HER IMAGES OR MAKE UP. WE ARE TAKING HER PROCESS AND LEARNING FROM IT.
STYLING BECOMES A QUESTION OF AUTHORSHIP
CHLOË IS IN COUTURE FOR THE PERFUME AD. THE STYLING FOR THE REST OF THE FILM NEEDS TO FEEL YOUNG, LIKE A DEPICTION OF WHERE WE ACTUALLY ARE IN THE WORLD.
IT IS NOT COSTUME. IT IS STYLING.
FOR
BAG LADIES
CINDY SHERMAN AND CHLOE SEVIGNY
SCRIPTS
FORM
A PERFUME AD
STYLING
CASTING / CHARACTERS
CINEMATOGRAPHY
THE SET
MAKEUP
CAMERA
PRODUCTS / THE BOTTLE
THE SMELL / FLORA AND FAUNA
SCREENS
FOOD / THE KNIFE
VIGNETTES
THE CORRIDOR / RUNWAY
CHOREOGRAPHY / MOVEMENT
MUSIC / SCORE / BIRTHDAY SONG
THE BAG LADY
EDITING
THE INTERVIEW