MAKEUP CHAIR

THE FILM BEGINS MIDSTREAM.
CINDY IS ALREADY DOING CHLOË’S MAKEUP.

THE MAKEUP IS NOT CINDY MAKEUP.
IT IS HYDROLUMINOUS PERFUME-AD MAKEUP.

CHLOË LOOKS GORGEOUS.

CINDY TALKS THE WHOLE TIME.
THE SCENE STARTS LIKE A BEAUTY PROCESS.
THEN IT STARTS TO FEEL LIKE SPYING.

THE CONVERSATION MOVES TO SURGERY:
HIP REPLACEMENT, BREAST REDUCTION, GOING UNDER.

THE SCENT OF ANESTHESIA.

AT THE END OF THE SCENE, CHLOË GETS UNDRESSED AND CHANGES.
WE ONLY SEE HER NAKED THROUGH THE AD CAMERA.

THE CAMERA GOES MACRO:
LIGHT, METAL, GLASS, LINES, SKIN, IMAGE.

A PRIVATE MOMENT TURNED INTO A CAMPAIGN MOMENT.

A VÉRITÉ AD.



macro skin
surgical marking lines
body seen through lens / monitor
hands touching face/body
mirror / camera spying
beauty ad face
anesthesia / mask / medical light if you find the right image

A perfume campaign
is being made.

The perfume
does not exist.

Cindy becomes
the smell.

Chloë plays Cindy.

The production
is the main plot.

The set
is the world.

The shoot
becomes the ad.

The ad
becomes the myth.




BAD LIQUOR
FOR
BAG LADIES








CINDY / CHLOË

THE STORY

A PERFUME AD

THE SET

   MAKEUP CHAIR

   CAMERA ON SET

   PRODUCTS / THE BOTTLE

   THE SMELL / FLORA AND FAUNA

   SCREENS

   KITCHEN / FOOD

   PHOTO SETUPS

   CORRIDOR / RUNWAY

STYLING

CASTING

MUSIC / BIRTHDAY SONG

THE BAG LADY

FROM LW

CINDY / REFERENCE PERIOD