DURING HER INTERVIEW, CINDY GETS PISSED AND LEAVES.
THE CREW FOLLOWS HER INTO THE CORRIDOR.
ANOTHER SHOOT IS ALREADY HAPPENING THERE.
THE CORRIDOR BECOMES A RUNWAY.
AT THE END, SHE GETS CAUGHT BY THE CAMERAS.
THAT PICTURE BECOMES THE POSTER FOR THE FILM.
THE CORRIDOR BECOMES AN ACCIDENTAL RUNWAY.
THE WORK IS WHERE THE POWER IS.
THE WORK IS WHERE SHE DOES NOT HAVE TO EXPLAIN HERSELF.
POSTER FOR THE FILM
THE POSTER COMES FROM THE SCENE.
CINDY GETS CAUGHT BY THE CAMERAS.
THAT PICTURE BECOMES THE IMAGE OF THE FILM.
THE POSTER COMES FROM THE SCENE.
CINDY GETS CAUGHT BY THE CAMERAS.
THAT PICTURE BECOMES THE IMAGE OF THE FILM.